The Short Story Advent Calendar 2018: Giveaway open till Oct. 25

Disclaimer: Giveaway copy is courtesy of the kind people at Hingston & Olsen Publishing, but I bought my own copy. I know one of the creators, Michael Hingston, and reviewed his novel The Dilettantes here.

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It’s that time of year again: The 2018 Short Story Advent Calendar is on sale now, and I have a copy to give away.

The SSAC is exactly what it sounds like: individually bound short stories that you open every day from December 1 to 25. The creators also post daily author interviews and extras on their website. The best part of SSAC season is reading along and chatting about the stories with fellow bookish people on the internet – use #ssac2018 on Twitter.

I plan to do daily reveal videos, so subscribe on YouTube if you haven’t already! Last year, two other Alberta BookTube channels took part, and it was a ton of fun. So check out Anne at I’ve Read That and Cheryl at crflamesfan too. Dedicated SSAC fan Des recently set up his own book blog, and I bet we’ll see some SSAC action there, too.

While you wait for December 1, relive the glory of my daily videos from last year with this gem from Day 22, featuring my Christmas tree, my kids, and some lego:

How to enter & other fine print

  • To enter: tell me about the last great short story you read in the comments, and make sure your comment either includes your email address, or links to somewhere I can find it. Or, email me at lauratfrey@gmail.com and put SSAC in the subject line. If you haven’t read a great short story lately, that’s okay! Just tell me how excited you are to start reading them, or something. Last year, I compiled all the recommendations and came up with a great reading list.
  • Rules and regulations:
    • Contest is open till October 25, 2018.
    • On October 25, I will randomly choose a winner. I will notify the winner by email and ask for their mailing address. If I don’t hear back in 48 hours, I’ll choose again.
    • The winner’s calendar will ship in late October.
    • The giveaway is open internationally, but can only ship to addresses in Canada, USA, Mexico, Belgium, France, Germany, Ireland, Italy, Luxembourg, Monaco, the Netherlands, Portugal, San Marino, Spain, and the United Kingdom.

The Full Monte Read-Along Chapters 80ish-117: Adieu, Dirtbag Dumas

If you have trouble maneuvering your ship into port at Marseilles, steer yourself over to the master post.

Me before this read-along vs. me after this read-along:

Well, mes amis, a wise man once said that all human wisdom is contained in these two words: “wait and hope”. Or, more precisely, “attendre et espérer”.

So let’s wait and hope that the next Reading in Bed read-along goes better, n’est-ce pas? Continue reading →

Women in Translation: It’s a readathon, it’s a month, it’s a thing

I’ve been vaguely aware for a few years that Women in Translation Month, or #WITmonth, happens in August. And I have read many impassioned posts from #WITmonth founder and blogger Meytal Radzinski, aka Bibliobio, about the sorry state of gender representation in translated lit. Fewer works by women are translated into English, and even fewer of the women who do get translated are reviewed in major publications. That second stat could kickstart a vicious cycle: fewer reviews means less attention which means lower sales which means publishers take fewer chances translating women, which leads back to fewer women translated… that’s simplified, but you get the picture.

But it took a booktube readathon, of all things, to spur me into action. Well, “action” – I made a list! But I will eventually choose a book and participate in this readathon. That’s a few steps up from slacktivism, right?

Continue reading →

The Full Monte Read-Along Chapters 41-80ish: I Need a Hero

If you have trouble maneuvering your ship into port at Marseilles, steer yourself over to the master post.

I need a hero in two senses:

  1. A hero who can get me back on track with this read-along
  2. A hero in this story so I can have feelings about it

I don’t mean a hero I can “root for” (ugh, hate that phrase.) And I don’t mean the archetypal hero, like, an Odysseus type. I don’t need a hero’s journey and I don’t need Dantès to be more virtuous.

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Unless the Odysseus part is played by Jude Law, as in loose-Odyssey-adaptation Cold Mountain. Then I’m here for it.

I need him to be wrong sometimes, to go too far. I need him to get what he wants and realize he wanted the wrong thing. I need him to have a fatal flaw.

I need him to have some passion, damn it!

Continue reading →

The Full Monte Read-Along Chapters 21-40: Half Baked

If you have trouble maneuvering your ship into port at Marseilles, steer yourself over to the master post.

NOTE: This post covers the chapters from The Island of Tiboulen to The Breakfast, inclusive. The numbering varies by edition, and I’m going by the Penguin Classics edition, which seems to match Project Gutenberg. If you have the Oxford World’s Classics or some other editions, you might need to read up to and including chapter 41.

This week is another mixed bag, but unlike last week, where I kind of knew what to expect (false accusations, jail, escape, yada yada yada), this section has got me like:

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I have questions about 19th century French hashish, and French translations
Continue reading →

The Full Monte Read-Along Chapters 1-20: Edmond Dantès’ Right to Due Process

If you have trouble maneuvering your ship into port at Marseilles, steer yourself over to the master post.

The Count of Monte Cristo is best known as a story of revenge. But for the first 200ish pages, our boy Dantès doesn’t have a vengeful thought in his head. Or many other thoughts. He’s just a good-looking, lucky kid, on the cusp of gaining all the money, status, and love he could ever want.

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Dantès at his betrothal feast, about to learn an important lesson about the correlation between Money and Problems

This week, we read up to chapter 20, a totally arbitrary cut-off, but one that worked out wonderfully well. We follow golden boy Dantès until his arrest on trumped up charges, then we follow the conspirators, and the prosecutor who ensures he will stay in jail indefinitely, then we get back to Dantès in jail, and we stop right when it seems his escape is about to be foiled – though we know he must escape, because we still have 1,000 pages to go.

So far, Rick’s prediction that there may not be a lot to “discuss” seems apt. I don’t have an overarching theme to expound on, or a pop culture parallel to draw. So, here are my disjointed observations on this novella-length introduction to Edmond’s story. Continue reading →

Who Wrote The Count of Monte Cristo?

Welcome, readers-along! As we start reading on this fine (Canadian) long weekend, let’s ponder what should be a very simple question: who wrote The Count of Monte Cristo?

Here’s the evolution of my answer:

Had you asked me a year ago, I would have said: Alexandre Dumas, dead white dude.

Had you asked me six months ago, I would have said: Alexandre Dumas, dead, but not white, dude. I found Alex on this list of classics by authors of colour, which lead me to choose it for my read along this year.*

Had you asked me a month ago, I would have said: Alexandre Dumas, père, and probably have tried to make a “Big Poppa” joke. I learned that Alexandre Dumas has a son of the same name, also a writer. He’s known as fils. The père designation stuck, though I think there should be some sort of statute of limitations on that, because who’s reading fils theses days?

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Given what I’ve learned about Dumas, you could probably find him in the back of the club sippin’ Moët too, tbh

Ask me now? I have no idea! Continue reading →

Blogging by numbers

It’s time to dig deep, and peel back the layers on Reading in Bed. Yep, we’re looking at blog statistics*!

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When you check your blog stats and realize no one is reading your carefully crafted, 2,000 word review of an obscure backlist book

I recently hit a significant milestone over on YouTube. 500 subscribers. Halfway to an almost-medium-sized-Booktube-account, still absolutely nothing in the larger YouTube ecosystem.

YouTube is all about the “like and subscribe”, but bloggers don’t really talk about follower counts or number of likes. I can easily find out who the big Booktube accounts are (or try the new Booktuber Catalog on Discord, learn more here), but it’s difficult to get a read on book blogs (there’s this list, but it doesn’t differentiate between corporate entities – like, yeah, Book Riot is riddled with typos, but it’s not *actually* a blog).

So in the interest of opening up a dialogue, and because I’m nosy as hell and hope that some of you out there decide to share a bit, here’s a peek at where I’m at with ye olde bloge: Continue reading →

The Full Monte Read-Along

I would have posted this much sooner, but I was struggling to find a good name for my momentous fifth summer read-along, in which we will tackle Alexandre Dumas’ The Count of Monte Cristo.

Count Along? Count Me In? No. Sometimes you must wait for the muse to show up.

The title is relevant too, because there are abridged versions out there. Do not be fooled. We are going FULL MONTE, people.

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Large and in charge

Continue reading →

Start Where You Are: How to get into new authors, feat. the Man Booker International Prize shortlist

I picked up Book Riot’s “Start Here: Read Your Way Into 25 Amazing Authors” as a free Kobo download a while back, and gave it a skim: each entry offers a short introduction to an author, and a suggested reading list to ease your way into their work. I thought this would be light and entertaining, but I found it all a bit depressing. Much like my experience with The Novel Cure, what’s meant to be a bit of fun comes across as too preachy and prescriptive for my liking. As I keep impressing on my kids: once you know how to read on your own, you can read anything you want and no one can stop you.

 

(Plus, how badly do you think Book Riot wishes it could take back the very first entry in Start Here volume one, on Sherman Alexie? These things don’t always age well.)

Anyway, I was reminded of this particular brand of reading guidance while reading the Man Booker International Prize shortlist. In particular, The World Goes On by László Krasznahorkai and Flights by Olga Tokarczuk are spoken of a bit dismissively – not their best work, not the best place to start. Continue reading →