Novellas in November 2019 Round Up #1

Halfway through #NovNov ’19, I don’t have as much to show for it as in previous years. Blame it on the Ducks. It has been an eclectic reading month so far, with a dud, a local success, a backlash, and a reading hangover that has me reaching for nonfiction to clear my head.

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Novellas in November 2019 TBR

I’ve made my novella recommendations, now on to my own reading intentions. I will not finish all of these, mostly due to the fact that I am beginning the month 500 pages into 1000-page Ducks, Newburyport and 2 hours into the 24-hour audiobook The Age of Surveillance Capitalism. Whoops.

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Novellas in November 2019: a novella for every occasion

With Novellas in November mere days away, it’s been brought to my attention that there are people who intend to read things other than novellas next month. And other people might get distracted by book prizes. The good news is that there’s a novella for just about every occasion. Here are some suggestions if you insist on participating in other types of reading in November.

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Quicksilver by Neal Stephenson, Near to the Wild Heart by Clarice Lispector, and The Snow Child by Eowyn Ivey

I’ve had some wonderful cases of book serendipity this year. That is, when books you’re reading simultaneously, or consecutively, have a common thread, a coincidental similarity of theme, or detail, or maybe an uncommon word usage. Bookish Beck keeps track of these in Twitter threads. I kicked of this 20 Books of Summer challenge with just such a case of eerie paralells, between Jonathan Franzen’s How To Be Alone and Paul Auster’s Winter Journal.

This (another mini review cop out) is the opposite of that. Books 12, 13, and 14 of my list of 20 could not be more different. Objectively, they are of very different lengths, subjects, genres, and tones. Subjectively, they ranged from unexpectedly delightful to completely incomprehensible.

These books do serve to illustrate a point, though. In the Literary Fiction Book Tag, I defined “literary fiction” as fiction that leaves “plenty of room for interpretation.” I still believe this to be true, but in examining my reaction to these books, I find that what I need is a middle ground. Don’t spoon feed me, but don’t leave me completely on my own. Here’s how I fared with interpreting each of these books.

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In the Year 2000…. (Choose the Year Booktag)

It was the best of times, it was the worst of times. The Oilers made the playoffs, but got eliminated in the first round. The Sopranos was on the air, but I had to watch it with my parents because I still lived at home. I was reading chick lit and dude bro memoirs, but not Harry Potter. Let’s take a closer look at the books of the year 2000!

Mel of the booktube channel Mel’s Bookland Adventures created a tag that’s more of an open invitation to explore books from a year of your choosing. Many on booktube are choosing their birth years, but there’s something quaint and strange about the year 2000 that I wanted to revisit.

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The Road by Cormac McCarthy

The Road had a profound effect on me. Not because of McCarthy’s writing style, this being my first encounter with it; or because of the audaciousness of his post-apocalyptic vision, the only one I’ve read without a shred of hope; or the biblical references, of which I am always slow on the uptake. I know all of these things are there but I can’t read The Road as anything other than an allegory for parenting, and here I could add, “in a time of crisis” or “in the modern world” or something but it’s not necessary, the world’s always in crisis and parenting exists outside of time, which is exactly the feeling this story gives me.

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Literary Fiction Book Tag

In a book blog/booktube cross pollination initiative (sounds very official!) headed up by Rachel and Claire, this is a tag that originated on booktube, now making the rounds in blogland. If you have pivoted to video, you may watch me blather on for 17 minutes here:

And for reference, the original version of this tag is by Jasmine’s Reads:

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The Fishermen by Chigozie Obioma

Goodreads is generally trash, but it is good for one thing: looking up reviews when you’re stuck on writing your own. Or, more to the point, you need to shore up your opinion about a book that seems to go against the grain. My first impression of The Fishermen was that it’s a good book that does several things quite well, but doesn’t really come together and feels a bit unfinished. I was uncertain: did I just not get it? Was it the cultural context?

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Refuse: CanLit in Ruins edited by Hannah McGregor, Julie Rak, and Erin Wunker

Writing this review was as difficult and exhausting as trying to follow the numerous CanLit controversies over the past couple of years, with which this book is concerned.

Okay, not quite as exhausting.

Reviewing any anthology is tough, though. I have a hard enough time with story and essay collections – when some entries are strong and some are weak, how to evaluate the whole, other than to deem it “uneven”? With an anthology, add the difficulty of evaluating multiple voices. Here, there are twenty four contributors and three editors, and we hear from the editors a lot.

Add another difficulty: the fact that I’m almost certainly not the intended audience. This is a book of writers and academics thinking about writing and the academy.

Indeed, I can’t help but agree with Russell Smith, who I normally find to be a bit of a crank (though a great short story writer) when he said that “CanLit now means the study of CanLit, with all its fraught panel discussions. In short, it means university departments.

In other words, readers don’t come into it. Back to that in a sec, though.

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