I picked up Book Riot’s “Start Here: Read Your Way Into 25 Amazing Authors” as a free Kobo download a while back, and gave it a skim: each entry offers a short introduction to an author, and a suggested reading list to ease your way into their work. I thought this would be light and entertaining, but I found it all a bit depressing. Much like my experience with The Novel Cure, what’s meant to be a bit of fun comes across as too preachy and prescriptive for my liking. As I keep impressing on my kids: once you know how to read on your own, you can read anything you want and no one can stop you.
(Plus, how badly do you think Book Riot wishes it could take back the very first entry in Start Here volume one, on Sherman Alexie? These things don’t always age well.)
Anyway, I was reminded of this particular brand of reading guidance while reading the Man Booker International Prize shortlist. In particular, The World Goes On by László Krasznahorkai and Flights by Olga Tokarczuk are spoken of a bit dismissively – not their best work, not the best place to start.
I already gave a rebuttal to the Krasznahorkai thing on YouTube. Briefly: yes, these stories are very weird. But the collection works because someone (who picks the order in short story collections? The author? The publisher? One of those questions where Google is not helpful) placed them in an order that knocks the reader off balance, then gradually reintroduces the usual trappings of plot, character, and setting, not to mention punctuation. The effect is comforting, in a weird way.
The World Goes On was a perfect place for me to start with Krasznahorkai , because I was travelling for work and had irregular blocks of completely uninterrupted time in which to not just read but process all the weirdness, and because Krasznahorkai’s walls of text really benefit from being read aloud, which, being alone in a hotel room, I could do. This is not the type of “start here” scenario that Book Riot, or anyone, could predict.
Quiet hotel rooms aside, the ability to jump in anywhere, to start where you are, without a reading guide or safety net, might actually be a hallmark of a “good” reader or a “well read” person. If you’ve read, say, just enough about Hungary (hardly anything) and just enough literature in translation (quite a bit, this year) and just enough “autofiction” (also quite a bit, seems to be a thing these days) to not get freaked out by the Hungarian-ness, the weirdness, the lack of normal plot in The World Goes On – then you’ll be just fine.
The situation with Flights was a bit different. One of my favourite Booktubers, WhatKamilReads, said Flights was not Tokarczuk’s best work. He’s followed this prize for years, and he’s read Flights in its original language, so this gave me pause. Unfortunately for us Anglophones, we don’t have much choice in where to start with Tokarczuk. Only a handful for her twelve novels are translated into English. Flights isn’t even technically available in North American yet (order directly from the publisher!) She has a couple more translations coming out in the UK in 2018 and 2019, but for now, Flights is what we’ve got to work with.
And, I think most of us will be just fine starting here, best work or not. Like The World Goes On, it’s an hard-to-classify collection of essays, stories, and travelogue., but it reads like a dream. Not nearly as discombobulating as The World Goes On, I eventually just sort of forgot that there’s no consistent timeline or perspective, and I didn’t question (till now) whether I was reading an essay or a memoir or short story collection. In a shortlist that was full of autofiction, or at least very autobiographical novels, Flights was the most audacious of them, and the least self conscious about what is was trying to be.
I tried to make a go of it with Flights, despite my trepidation, by reading it while flying to Toronto. Where better to read about airport psychology and the strangeness of flying backwards through time zones, than a rare no-kids-no-husband trip? Instead, I got sucked into Krazsnahorkai, for reasons mentioned above, and on the flight back, I inhaled The Perfect Nanny (meh). I didn’t even get a decent Instagram shot of the iconic blue cover on an airplane tray or anything.
Turns out, I didn’t need to be travelling . Flights was the perfect place for me to start with Tokarczuk because Tokarczuk is the perfect antidote to a bunch of hyped, unconventional memoirs I’d read recently and found wanting:
- The relentless navel gazing and self involvement of Bluets by Maggie Nelson (don’t @ me)
- The intellectual posturing and lack of self-awareness of The Dead Ladies Project by Jessica Crispin
- The ethereal nature and ultimate emptiness of The White Book by Han Kang (also shortlisted for the Man Booker International)
In addition to avoiding those pitfalls, reading Flights satisfied a desire I only sort of knew I had: to find a female writer and thinker I can look up to, who’s solidly Gen X (instead of borderline, like me), who’s a bit out there, but who isn’t too precious about writing, or if they are, backs it up by publishing something brilliant. Someone who writes something like Flights, in other words.
I mean, she says in one line what I think Crispin was trying to say in a whole book:
Each of my pilgrimages aims at some other pilgrim.
And she says more about relationships in an odd, three-part short story of a woman who wanders away from her husband while on vacation, vanishing on an island where people simply do not vanish, than I found in all of Nelson’s breakup musings.
Flights was the right place for me to start because of who I am – my age, what I’ve read, what I’ve rejected, and what I’m seeking. No prepackaged guide would lead me here.
(Though I will suggest that, even if the stars don’t align so well for you, try to stick around for the short story Kairos, the “old man marries younger woman” cliche brought to its inevitable conclusion. It’s also the inevitable conclusion of Flights, bringing together as it does science, marriage, and travel, the threads flowing through this book.)
So, start where you are. Read a book because it’s on an awards shortlist, whether or not it’s the author’s best work. Or because you found it for a buck at a garage sale. Or whatever. It doesn’t matter if you’re an expert on the author or the genre. Keep reading, and the more you read, the more you’ll be able to make something of any book, anytime – or know when to put it down and try again later. Book Riot’s guides and books like The Novel Cure should be viewed as entertainment, not as instruction.
And yes, I’m aware of the deep irony of this post, given that I started this blog reading exclusively from the 1,001 Book You Must Read Before You Die…
It’s that time of year again! No, not spring. This is Canada. It’s beautiful in Edmonton today, but the forecast for later this week includes a low of -18 (that’s about zero degrees for you Americans) and snow. No, friends, it is time for Canada Reads.
The drama! The bickering! The relatively-high production values! The distinctly early-aughts reality show vibe!
If you need a primer about what Canada Reads is all about, please visit my YouTube channel where I break it down (short version: Canada Reads = Survivor + Who Wants to be a Millionaire + books)
Here are my picks for who should and could win, based on my previous experience with this show, and this year’s theme: one book to open your eyes. Continue reading
The Man Booker International Prize is a slightly more obscure prize than, say, The Women’s Prize, The Giller Prize, or the plain ol’ Man Booker Prize. That’s partly why I am keen to follow it – it’s not as overwhelming. There are plenty of other #mbi2018 readers, though. Here are a few I’m following. If I missed you, let me know!
The Man Booker International Prize Shadow Jury
These are the cool kids of #mbi2018. They are already posting longlist reviews! Actually, I’ve followed several of them for years, and they are super nice. Here is the full list of shadow jurors. In particular, I recommend Dolce Bellezza for thoughtful reviews and reading challenges galore; and Tony’s Reading List for his sense of humour and commitment to translated fiction (and the best book blog tagline in the game: “Too lazy to be a writer – Too egotistical to be quiet”). Continue reading
I made a snap decision today: I’ve decided to follow the Man Booker International Prize. I came to my decision, oh, about a half hour before the longlist was announced this morning. In my excitement, I filmed two videos before work: one about why I’m following the prize, and one reacting to the longlist. Scroll down to watch, if you wish.
Since my early morning burst of activity, though, I’ve learned some harsh lessons about following a UK prize from overseas: you can’t get the books.
Well, you *can*. And I knew it would be a pain – this isn’t my first rodeo (or my first Booker). But the combination of UK publication dates, translations, and this particular longlist’s preponderance of small press books makes the 2018 MBIP a real challenge. So, I did some research. Continue reading
This time of year, I’d usually be kicking off another round of Franzen in February, but due to my unplanned, two-month blogging hiatus, I don’t have my shit together.
But I just remembered, the most amazing Franzen-related incident of my life occurred during my hiatus, and while I regaled everyone on social media, YouTube, and even IRL, I haven’t shared it with you, dear readers.
I would have announced this sooner, but I took at week-long internet break (inspired by Bookbii) and it was lovely.
Thank you to everyone who entered. I asked you to tell me about a great short story collection as part of your entry, and did you guys ever come through. Below is the full list of recommendations: Continue reading
Disclaimer: Giveaway copy is courtesy of the kind people at Hingston & Olsen Publishing, but I bought my own copy. I know one of the creators, Michael Hingston, and reviewed his novel The Dilettantes here.
The SSAC is exactly what it sounds like: individually bound short stories that you open every day from December 1 to 25. The creators also post daily author interviews and extras on their website. The best part is reading along and chatting about the stories with fellow bookish people on the internet – use #ssac2017 on Twitter.
How to enter & other fine print
- To enter: tell me about the last great short story you read in the comments, and make sure your comment either includes your email address, or links to somewhere I can find it. Or, email me at firstname.lastname@example.org and put SSAC in the subject line. If you haven’t read a great short story lately, that’s okay! Just tell me how excited you are to start reading them, or something.
- Rules and regulations:
- Contest is open till October 17, 2017.
- On October 18, I will randomly choose a winner. I will notify the winner by email and ask for their mailing address. If I don’t hear back in 48 hours, I’ll choose again.
- The winner’s calendar will ship in late October.
- The giveaway is open internationally, but can only ship to addresses in Canada, USA, Mexico, Belgium, France, Germany, Ireland, Italy, Luxembourg, Monaco, the Netherlands, Portugal, San Marino, Spain, and the United Kingdom.
Psst… Hingston & Olsen are offering a second story box this year. The Ghost Box is full of scary stories, and is still available but probably won’t be for long.
When I wrote about CanLit cynicism for carte blanche, I started with Alex Good’s book of essays, Revolutions (full Q&A here). Then, a very strange novel fell into my hands (actually, it was placed there by Kelsey at Freehand Books) and I knew these books were meant to be together. Searching for Petronius Totem is a strange, hilarious book, and author Peter Unwin is a bit strange and hilarious himself. Read on for the full Q&A.
Many thanks to Mr. Unwin, and Ms. Attard at Freehand books!
I’m pretty cynical about CanLit lately. When I noticed that carte blanche, a Quebec-based literary journal, was running a “Who Needs CanLit” series on their blog, I knew I had to get in on it.
One of the books I drew on was Revolutions by Alex Good, a collection of essays that leaves no CanLit heavyweight unscathed. Have a peek at my essay over at carte blanche, then read on below for my full conversation with Alex Good, who may actually be more cynical than me.
Many thanks to Mr. Good and the fine folks at Biblioasis who put me in touch with him! And stay tuned for my Q&A with poet, novelist, and YouTube star Peter Unwin later this week.
Ever notice that most “how to read more” articles are really basic? Smug too, but that’s inevitable. The GQ article above was better than most, but let’s talk about some ways to increase your book consumption that you might actually not know about. Continue reading