Category: Reviews

The Dilettantes by Michael Hingston

dilettantes

The Dilettantes by Michael Hingston | Published in 2013 by Freehand Books | Paperback: 267 pages | Source: Review copy from publisher

My rating: 4/5 stars

Goodreads

Synopsis:

The Peak: a university student newspaper with a hard-hitting mix of inflammatory editorials, hastily thrown-together comics and reviews, and a news section run the only way self-taught journalists know how—sloppily.

Alex and Tracy are two of The Peak‘s editors, staring down graduation and struggling to keep the paper relevant to an increasingly indifferent student body. But trouble looms large when a big-money free daily comes to the west-coast campus, threatening to swallow what remains of their readership whole.

It’ll take the scoop of a lifetime to save their beloved campus rag. An exposé about the mysterious filmed-on-campus viral video? Some good old-fashioned libel? Or what about that fallen Hollywood star, the one who’s just announced he’s returning to Simon Fraser University to finish his degree?

I had all sorts of preconceived notions going into The Dilettantes. I thought I wouldn’t relate to it for various reasons, all of which were dumb and easily dismissed once I started reading. I think I was creating an elaborate defence mechanism, so if I didn’t like the book, I could be like “WELL it’s just because of X Y and Z” instead of having to say “I just didn’t like it,” which would be awkward because I will likely see the author at numerous literary events in Edmonton over the next few months. Luckily, I did like the book. A lot.

I thought it might be fun (…for me) to talk about all those excuses I came up with before reading the book, and how they were (mostly) overcome.

1. It’s about Millennials! Millennial are whiny and self-absorbed! I will strain something from rolling my eyes too much!

Depending who you ask, I’m a Gen-Xer by a margin of three months, or a Millennial by a margin of nine. Guess which one I choose to identify with? Yeah, I was only ten when Nevermind was released, but I spent my formative years without a cellphone or high speed internet. But here’s the thing: all “new adults” are whiny and self-absorbed. I mean, Catcher in the Rye, anyone? I wrote horrible poetry in a notebook when I was pretending to study, while these kids were probably posting to their Tumblrs or whatever. Big diff. The generational thing wasn’t an issue at all.

2. It’s about kids who actually went to class. And joined things, like newspapers.  I hated those people. And also sort of regret I wasn’t one of those people. It’s complicated.

I don’t read a lot of campus novels. Maybe part of the reason is my ambivalence about my own university career. I was a great student.  I just didn’t care about university, academically or socially. I didn’t make any friends. I certainly didn’t join any clubs. I went to the minimum number of classes I could get away with and didn’t contribute anything more than I had to. My energies, such as they were, were put towards clubbing and boys. This book made me feel at once nostalgic for something I never had, and relieved that I delayed the burden of giving a shit about stuff for a few more years. It also made me stop and evaluate a time in my life that was really difficult for me. When a book can make you do that, well, what more can you ask for? Continue reading

Rupert’s Land by Meredith Quartermain: Review and Author Q&A

Rupert's Land front cover

My rating: 4/5 stars

Published: September 1, 2013 by NeWest Press

Source: Review copy from the publisher

Synopsis:

At the height of the Great Depression, two Prairie children struggle with poverty and uncertainty. Surrounded by religion, law, and her authoritarian father, Cora Wagoner daydreams about what it would be like to abandon society altogether and join one of the Indian tribes she’s read so much about.

Saddened by struggles with Indian Agent restrictions, Hunter George wonders why his father doesn’t want him to go to the residential school. As he too faces drastic change, he keeps himself sane with his grandmother’s stories of Wîsahkecâhk.

As Cora and Hunter sojourn through a landscape of nuisance grounds and societal refuse, they come to realize that they exist in a land that is simultaneously moving beyond history and drowning in its excess.

I try to go with my gut when I rate books, but sometimes, I make a change after letting a book digest for a while. I gave Rupert’s Land three stars at first, but as you can see, I’ve upgraded my rating to four stars. In the week since I finished it, I often find myself thinking about the story, the characters, and the historical context. I keep thinking that I need to recommend this book to people. Doesn’t sound like three stars to me.

So why the middling rating to begin with? Quartermain uses a distinctive writing style that was hard for me to get lost in. I stayed just a bit removed that perfect reading state where you’re not thinking about the words as you read them, you’re just absorbing them. On further reflection, though, it’s not that there’s anything wrong with the writing. It’s more a matter of taste, or mood, I think. (I’ll spare you a tangent on star ratings and what they mean.)

The writing is poetic, relies of streams of consciousness from our main characters, and has some quirks, like made up compound words and a lack of punctuation. The latter actually didn’t bug me, but I know it does some people. You will find a smattering of Cree vocabulary as well – don’t worry, there’s a handy glossary in the back. I would compare the style  to Faulkner or even the little throw-away chapters in The Grapes of Wrath, you know, like the one where the men are at the car dealership and the reader “hears” the background noise and snippets of conversation.

To get a sense of what I mean, check out this scene, as heroine Cora is teased by her friend Netty for refusing to try on some lingerie:

You going to wear schoolgirl bloomers all your life? Netty leans against the door frame dropping one hip. A deep dimple creases soft white flesh overhanging the knickers. Golden fuzz coats her sturdy legs.

Rather do that than end up married to Bunk.

Rate you’re going, you’ll end up an old maid.

A fussy frump then. In her blue lisle stockings. Her face like a lastyear apple, a witch’s nose touching her witch’s chin. End up a schoolmarm with a stick body and claws for hands — children running away from her, boys making stink bombs and shooting spit balls at her A is for apple over and over on the blackboard until she died. But she’s not going to make herself all fluffy and cushy like Netty does.

Quartermain’s poetic language is grounded in some traditional CanLit territory, like the the depression-era prairie setting, the suffocating small town, and the outsiders up against the strict values of the establishment. But it’s the departures from the expected that make the story so rich. The two narrators aren’t at all who or what I expected them to be. Continue reading

First (Wrong) Impressions by Krista D. Ball

First (Wrong) ImpressionsMy rating: 2.5/5 stars

Published: May 28th, 2013

Source: Review copy from the author

Synopsis:

Lizzy Bennet’s fundraising mission is to keep her homeless centre’s clients well-fed through a cold prairie winter. She meets the snobby and pompous William Darcy of Fitz & William Enterprises. While she’d never dare ask him for help, she can’t stop bumping into him — sometimes, quite literally. But when Lizzy’s campaign is cut short by the disappearance of her sixteen year old sister, William and his younger sister step in to help the woman they want to make part of their family. Inspired by Jane Austen’s classic, Pride and Prejudice, First (Wrong) Impressions is Lizzy’s quest for happiness, security, and love in the 21st century.

An important caveat to this review: this isn’t the type of book I would pick up on my own, so I was a little dubious from the get go. My long-term readers know I have certain… snobbish tendencies when it comes to literature, and the term “fan fiction” makes my skin crawl. Jane Austen fan fiction is an industry in it’s own right, moving out of the online shadows in recent years, with the success of mash ups like Pride and Prejudice and Zombies and more literary rewrites like Death Comes to Pemberly. I thought I would give this a whirl as part of Austen in August, and after chatting on Twitter, author Krista D. Ball kindly gave me a review copy.

First (Wrong) Impressions gave me a case of just that; it didn’t end up being exactly what I thought it would at the start, and that’s a good thing, because my first impression was a paint-by-number retread of the source material, plopping 18th century characters into 21st century settings. As I pushed forward, my defenses were broken down by Ball’s humourous one-liners and, eventually, by her creativity in using very modern scenarios to show us a new side of Elizabeth (Lizzy) Bennett. Continue reading

Roost by Ali Bryan

roost

My rating: 3.5/5 stars

Published on: April 1, 2013

Publisher: Freehand Books

Source: Electronic review copy from the publisher

Synopsis:

Claudia, single mother of two young children, pines for her past independent life. Her ex, after all, has moved on to a new wardrobe, a new penchant for lattes–and worst of all, new adult friends. But in Claudia’s house she’s still finding bananas in the sock drawer and cigarettes taped to wrestling figures. Then Claudia receives the unexpected news that her mother has died.

Shared through the hilarious, honest, and often poignant perspective of a single mother, Roost is the story of a woman learning about motherhood while grieving the loss of her own mother. And as she begins to mend, she’s also learning that she might be able to accept her home–as it is.

A funny thing happened while I was reading Roost. I was on a flight from Nova Scotia, author Ali Bryan’s home province and the setting of Roost, on my way home to Alberta, where Bryan now lives. I was nursing Henry while Ben played on his iPad. Ben’s legs don’t reach the floor, so he braced himself on the seat in front of him to adjust his position. The woman in front of Ben turned around and said, “If your son kicks my seat again, I am going to come back there and pour a glass of water over his head.” I said, “He’s three. I’m doing my best.” She told me to “do better” and turned around, huffing and puffing. This woman threatened my three year old son and called me a bad parent. As shame burned just below the skin on my reddening face, I thought, “this is exactly the type of thing that would happen to Claudia. Except she wouldn’t give a flying fuck.”

Claudia is our heroine, a woman smack in the middle of various family dramas, with barely enough time or energy to register it all, let alone deal with the fall out. She’s got two young kids, a prissy brother and sister-in-law, eccentric parents, and an ex who’s moving on with his life entirely too quickly A crisis occurs when her mother dies, and everyone around her starts to unravel.  Her family seems to think, Claudia is already heaped on with responsibility, so, why not add more? Why not have her deal with funeral arrangements, and take care of her nieces and nephews while sister-in-law is treated for postpartum depression? Why not leave her holding the (garbage) bag when her father’s hoarding comes to light? I think about Claudia when I’m feeling busy or stressed or hard done by. I’ve got it easy.

This all sounds a little heavy, but the book is hilarious. I love Bryan’s deadpan style. Claudia says, of her two-and-a-half year old daughter,

 

…when you first held her in the hospital and she weighed five pounds and she gazed in your eyes and you fell in love, did you ever imagine that you would one day think she was an asshole?

Anyone who’s had a two-and-a-half year old gets this.

I loved how present the children are. I often find that children are seen and not heard in literature, but anyone who’s had children knows that they are everywhere – their voices, their messes, their routines and habits that must be observed. Roost is not about the children, really, but they are always in the picture.

I found some of the characters and story lines strained credibility. Claudia’s brother in law is so terrible, he becomes a little hard to believe. And I don’t understand how her father hides a hoarding habit for five months when both his children live in the same city.  Maybe it’s just that Claudia is so strongly written. She also has a story line that’s a little out there, involving an airline luggage mix up, a suitcase full of maternity clothes, a fake pregnancy, and a one-night stand, but I believed her. I understood why she needed to go a little crazy for a while and pretend to be someone else.

Oh, speaking of that one night stand, I love this, immediately following:

He makes a quiet exit and when he disappears from the room I feel intense and bold and exhausted. Like I just cut a seven layer cake with a guillotine.

I’ve seen a few reviews that describe this book as a series of vignettes, but I found the short chapters very cohesive and satisfying. I devoured Roost in two days and was sad that it didn’t last me the whole flight back to Edmonton. Huffing and puffing lady turned around two more times before we arrived, and I hope she picks up a book like this, and then maybe she’ll get it, that kids are just messy and loud and terrible but it’s not their fault. In the meantime, I’ll keep thinking of devastating comebacks, weeks too late.

 

The Ocean at the End of the Lane by Neil Gaiman

TheOceanAtTheEndMy rating: 2.5/5

Synopsis:

Sussex, England. A middle-aged man returns to his childhood home to attend a funeral. Although the house he lived in is long gone, he is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock, and her mother and grandmother. He hasn’t thought of Lettie in decades, and yet as he sits by the pond (a pond that she’d claimed was an ocean) behind the ramshackle old farmhouse, the unremembered past comes flooding back. And it is a past too strange, too frightening, too dangerous to have happened to anyone, let alone a small boy.

This book was set up to fail in my eyes. My expectations were set way too high. Gaiman has been recommended to me by bloggers I respect, by strangers on the internet, by book store staff.  I read early reviews that proclaimed this the best book that every booked, and I believed them. There was no way the experience of reading these 180 pages could live up to the hype. Especially once I realized that I read a book earlier this year that does everything this book tries to do, only better. Continue reading

Frances and Bernard by Carlene Bauer

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My rating: 5/5 stars

Two important things to know about this book: it had the saddest “happy ending” I’ve ever read, and Catholicism figures heavily in the plot. If these things turn you off, you should still give it a whirl, but be warned.

The Catholic thing in particular throws off many Goodreads reviewers. “The Catholic stuff was boring” and “I don’t care about religion, I don’t want to read about it.” I kind of get it, I mean, I’m an athiest with a Catholic background, but if writing is good, it’s good. It doesn’t matter what it’s about, or doesn’t matter much.

And that ending? Left me devastated for days. I won’t quote the last line, because who does that, but it physically hurt me to read it.

Another warning: I suppose the book is a bit pretentious, being based on the real lives of writers Flannery O’Connor and her Robert Lowell, and being epistolary, and being character driven, as opposed to plot.

This is a long list of caveats for a five star review. I think the bad reviews on Goodreads really hurt my feelings and I while I want to tell everyone to read this, read it now, I also want readers to go in with eyes open.

So, assuming you are okay with sad endings, religious themes, and literary leanings, why read Frances and Bernard?

I picked this up at the library months ago, so I can’t quote, but the writing is just how you would imagine the correspondence between two writers in love to be: spare, beautiful, manipulative, and heartbreaking. The characters are so fully realized in their genius and their limitations. They certainly aren’t likable, but you will want them to work things out even though you know they won’t, can’t. It’s not a spoiler because it’s obvious, they’re star crossed. This is what happens when Romeo and Juliet are grown ups instead of flighty teens.

This is my favorite read of the year so far. It might be yours too. Read it, won’t you?

Everything’s Perfect When You’re a Liar by Kelly Oxford

Kelly Oxford Everything's Perfect When You're A Liar

My rating: 3.5/5 stars

Published on: April 2, 2013

Publisher: Collins Canada

Synopsis:

Kelly Oxford is …

A wunderkind producer of pirated stage productions for six-year-olds

Not the queen of the world

An underage schnitzel-house dishwasher

The kid who stood up to a bully and almost passed out from the resulting adrenaline rush

A born salesman

Capable of willing her eyesight to be 20/20

That girl who peed her pants in the gas station that one time

Totally an expert on strep throat

Incapable of making Leonardo DiCaprio her boyfriend

A writer

A certified therapy assistant who heals with Metallica mixtapes

“Not fat enough to be super snuggly.” —Bea, age 4

Not above using raspberry-studded sh*t to get out of a speeding ticket

“Bitingly funny. But everybody knows that.” —Roger Ebert

Sad that David Copperfield doesn’t own a falcon

A terrible liar

I’m tempted to write about my opinions and thoughts on Kelly Oxford outside of her book, because we are around the same age and grew up in the same town and now we are both moms. But that’s pretty boring, so I’m just going to get a few non-book-related things off my chest and move on: Continue reading

The Cat’s Table by Michael Ondaatje

The Cat's Table

My rating: 5/5 stars

Release date: August 30, 2011

Publisher: McLelland

Synopsis:

In the early 1950s, an eleven-year-old boy boards a huge liner bound for England. At mealtimes, he is placed at the lowly “Cat’s Table” with an eccentric and unforgettable group of grownups and two other boys. As the ship makes its way across the Indian Ocean, through the Suez Canal, into the Mediterranean, the boys find themselves immersed in the worlds and stories of the adults around them. At night they spy on a shackled prisoner — his crime and fate a galvanizing mystery that will haunt them forever.

With the ocean liner a brilliant microcosm for the floating dream of childhood, The Cat’s Table is a vivid, poignant and thrilling book, full of Ondaatje’s trademark set-pieces and breathtaking images: a story told with a child’s sense of wonder by a novelist at the very height of his powers.

Is there such thing as an earworm, for text instead of music? A wordworm? If so, I have had a wordworm, off and on, since finishing The Cat’s Table. I find myself mentally rereading the end this passage compulsively:

We stepped back, further into the darkness, and waited. I saw the man move the strap of her dress and bring his face down to her shoulder. Her head was back, looking up at the stars, if there were stars. Continue reading

The Magic of Saida by M.G. Vassanji

Magic of Saida

My rating: 4.5/5 stars

Release Date: September 25, 2012

Publisher: Doubleday Canada

Thank you Brie of Eat Books for giving me a copy of this book.

Synopsis:

The Magic of Saida tells the haunting story of Kamal, a successful Canadian doctor who, in middle age and after decades in North America, decides to return to his homeland of East Africa to find his childhood sweetheart, Saida. Kamal’s journey is motivated by a combination of guilt, hope, and the desire to unravel the mysteries of his childhood–mysteries compounded by the fact that Kamal is the son of an absent Indian father from a well-to-do family and a Swahili African mother of slave ancestry. Through a series of flashbacks, we watch Kamal’s early years in the ancient coastal town of Kilwa, where he grows up in a world of poverty but also of poetry, sustained by his friendship with the magical Saida.

This world abruptly ends when Kamal is sent away by his mother to live with his father’s family in the city. There, the academically gifted boy grows up as a “dark Indian,” eventually going to university and departing for Canada. Left behind to her traditional fate is Saida, now a beautiful young woman. Decades later, Kamal’s guilt pulls him back to Kilwa . . . where we discovers what happened to Saida during a harrowing night of sinister rites. This complex, revelatory, sweeping and shocking book, is a towering testament to the magical literary powers of M.G. Vassanji.

This book humbled me, repeatedly.

When I read the blurb and saw “East Africa,” I thought, great! I just did a bunch of research on East African culture (for work,) so I am gonna get ALL the cultural references. I was hardly past the first page when I realized that, um, no. First of all, my research was on Somalia and Ethiopia, and East Africa encompasses way more than just those countries.  Continue reading

The Paradise Engine by Rebecca Campell

The Paradise Engine Rebecca CampbellMy rating: 4/5 stars

Release date: May 1, 2013

Publisher: NeWest Press

Thank you to NeWest Press for sending me an Advance Reader Copy in exchange for an honest review.

Synopsis: 

While working to restore an historic theatre in a seedy part of the city, a graduate student named Anthea searches to find her best friend, lost to the rhetoric of an itinerant preacher and street mystic. Almost a century earlier, Liam, a tenth-rate tenor, visits the same theatre while eking out a career on the dying Vaudeville circuits of the day. In both eras, an apocalyptic strain of utopian mysticism threatens their existence: Anthea contends with a nascent New Age movement in the heart of the city while Liam encounters a radical theosophical commune in the deep country along the coast of British Columbia, who appear to be building … something.

The Paradise Engine unfolds across a colourful backdrop of labour organizers, immaculately-attired cultists, ambitious socialites, teenage lovers, basement offices and innumerable coffee shops.

If you like stories with a clear resolution, this book may frustrate you. This one’s all about the build up, with multiple perspectives weaving in and out and around each other and almost converging. That’s not a criticism; it’s what makes the book brilliant. The Paradise Engine takes place in a world with two possibilities: either everything in life is a coincidence, or nothing is. And both possibilities are terrifying. Continue reading